So here we are. One more year in our tango lives. Full of new experiences, embraces, tandas, music, dance, posts, changes, and most of all memories. Memories that without all of you who read, reacted, commented, and discussed these posts would not be there.
So here you go… the same song… the same melody… and just a tiny detail of a few milliseconds and you get a totally different piece altogether. A few milliseconds on your step and an enormous amount of satisfaction and joy when you make it plus a whole new sensation from the song.
When you hug a person for a few seconds it’s mostly natural. We all do this more or less with friends and relatives especially when you meet after a long time… right? Have you ever hugged somebody for more than 5 to 6 seconds? When was it? What happened after? I remember for example hugging…
Expressing emotions in dancing is a difficulty we have because as I also wrote there is a tendency from society to undervalue it and maybe sometimes see it as a weakness. However, it’s the only way (IMHO) to enjoy your dance.
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How the skin in the game principle can help you pick the right event for you.goodnighttango.com
Is the tango vocabulary really a vocabulary? Wha tis the key difference with a normal language vocabulary?Goodnight Tango: What can Pugliese’s music teach you about life
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In the case of the dialog and fight communities, the dialog communities have found the tool to find the way out of it. They discovered their “god from the machine” but they did not let …goodnighttango.com
The relationship between technique and expressing emotion in tango dancing and why these two concepts often seem contradictory and not complementary.Professional hobbyist (snob?) teachers
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What happens when hobbyist Tango dancer decides to make it a profession? Is it possible that the hobby stops being a hobby and you find it difficult to have fun? A post about teacher who hade a profes…advice cabeceo communities connection conversation cool kids covid cultural background dialog embrace emotions empathy events evolution expressiveness fear funny greece history improvisation language leader learning level life lyrics magic milonga music musicality observations opinion performance personal problem pugliese roles social story story telling surprise tanda teachers teaching together