This… the ability to sense your partner’s body within your chest, your core, your own body and eventually feel it as if it is part of your own body, is maybe the answer to the incompleteness of the previous post which satisfies our deep need for connection.
We are all flawed, incomplete peripherals, and the irony of the dance is exactly that. You need two to dance it but you will never experience it in its entirety. You can never understand the dance in its entirety.
If you ever really grasp this… you can understand that there is no leading and following in Tango. There was never such a thing… not even from its beginning. There is only cooperation… partnership… like in a family… in a couple… from the age of cavemen till today… where the man hunted and the woman…
Sometimes, people are dancing on a role and never even realized that they can do what the opposite role does. I was always baffled by this. I still am… but a bit less than before. How could my partner talk to me?
goodnighttango.com
How the skin in the game principle can help you pick the right event for you.goodnighttango.com
Is the tango vocabulary really a vocabulary? Wha tis the key difference with a normal language vocabulary?Goodnight Tango: What can Pugliese’s music teach you about life
goodnighttango.com
In the case of the dialog and fight communities, the dialog communities have found the tool to find the way out of it. They discovered their “god from the machine” but they did not let …goodnighttango.com
The relationship between technique and expressing emotion in tango dancing and why these two concepts often seem contradictory and not complementary.Professional hobbyist (snob?) teachers
goodnighttango.com
What happens when hobbyist Tango dancer decides to make it a profession? Is it possible that the hobby stops being a hobby and you find it difficult to have fun? A post about teacher who hade a profes…advice cabeceo communities connection conversation cool kids covid cultural background dialog embrace emotions empathy events evolution expressiveness fear funny greece history improvisation language leader learning level life lyrics magic milonga music musicality observations opinion performance personal problem pugliese roles social story story telling surprise tanda teachers teaching together