Category: Social
Posts dealing with social aspects fo Tango
Christos Kouroupetroglou
/
Frodo, Sam and the power of Tango
In the last post, I described how the Ring from The Lord of the Rings can symbolise Tango’s power and how it amplifies what’s already inside us. I used the relationship between Gollum and the Ring to show how Tango (The Ring) can twist us when we dance to escape ourselves (like Gollum used the…
Christos Kouroupetroglou
/
But they dance…
I was in a milonga the other night, which wasn’t very full. The mood was flat. Adnd then came the first song of a Tanda—Cascabelito by Pugliese, with Maciel on vocals. Under different circumstances, my head would be spinning like a cartoon scanning the room to find a partner. This time, though, I wasn’t quite…
Christos Kouroupetroglou
/
Caveman mode ON!
“I feel that if I will ever dance with her, I need to be at my best.” A friend of mine told me in a milonga some time ago. I’ve heard that thought before. Actually, I used to think that way too. In my first couple of years, whenever I was dancing with a better…
Christos Kouroupetroglou
/
Nobody’s crazy… and alone
TLDR: Today, I’m launching a new initiative: anonymous community surveys. The first one is about how we experience rejection in Tango. If you’ve ever felt confused, hurt, or unsure about being refused a dance, this is your chance to share your perspective.
Christos Kouroupetroglou
/
Retention rates and “bad” milongas
In the previous post, I wrote about a friend comparing the vibe from two different milongas. I pointed out the behaviours of organisers that can create a “colder” vibe. Usually, such milongas attract and cater more to advanced dancers, and that is why the organisers have a judgemental mentality that discourages or puts off the…